As an installation artist and curator, I have come to understand that my practice is about creating space for art via the medium of the exhibition. The process of display, placing, laying down, hooking up is what I do. Finding the space that my fabrications will respond to and resonate with is key to my practice.

I have participated in curation of exhibitions, and am an active member in gr_und project space in Berlin.

List of exhibition:

Corona Culture, (Co-curator, assistant producer), Alte Munze, Berlin Germany, October 2021
Ping Pong, (co-curator), gr_und, Berlin Germany January 2022
Mortal Shell, (assistant curator), gr_und, Berlin Germany Febuary 2022 
unreal city, under the brown fog of a winter dawn, (curatorial)gr_und, Berlin Germany July 2022
ASSETS MUST BE STRANDED, Oliver Ressler, (Assistant curator, assistant producer) State of Concept Athens, Greece, May-Sept 2022 

The Waiting Room

The Waiting Room is a future space for installation art.  
Through it, I am carrying on the work I’ve been doing as an independant artists.

It is a fragment in contemporary practice, where display and exhibition are the mediums experimented with.

What is it saying?

Why is it relevant?


I am still in the research phase of its conception. By being part of different cultural spaces, such as project spaces and institutional art places, I am learning how to build the foundations of a physical space on the spot. On a theoretical level, I am actively engaged in the research of project spaces and institutional art places to understand the hisotry, ideologies and initial stories of where art happens, takes places and challenges the norm of its establishement.